
Photo: Strange Fruit, 2002
17.25" x 11.75" Letterpress, polymer relief, and hand-colouring on handmade paper. Edition 23.
Artist statement: This first Cambodian landmine print was created following my research visit there in January 2002, and is printed on paper made from clothing of mine victims I met there, bamboo fibre from minefields and currency of nations whose mines and ordnance are found in Cambodia. It shows a variety of tropical fruits and a life-size image of a Chinese Type 72 landmine. Photo courtesy of the artist.
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For centuries, artists have not only given the world beautiful objects to admire, but have they provided insightful social commentary about the times in which they live.
John Risseeuw continues in that tradition. The art professor at Arizona State University has created a wide body of work designed to get people to think.
“I’ve done art about political and social themes for over thirty years,” said Mr. Risseeuw. “In 1976, I did an art piece about the world arms trade. It’s printed on paper made from the recycled currencies of the top ten arms exporting nations mixed with clothing of victims of armed conflict. The power of the paper in this print and its effect on people became the basis for the landmine series, which I began in 2000,” he added.
Beginning Nov. 2, Mr. Risseeuw’s The Paper Landmine Print Project will be on display (until Nov. 25) at the Open Studio in downtown Toronto.
What can Canadians look forward to?
“The twin purposes of this project have been public education to the problems of landmines and fundraising for the organizations that assist victims,” said Mr. Risseeuw. "Since the U.S. has not signed the Ottawa Convention (banning anti-personnel landmines), I also hope that I can assure the public that many Americans care deeply about these problems and do not support our administrations’ (both Bill Clinton and George W. Bush) recalcitrance on military matters,” Mr. Risseeuw said.
For the last five years, Mr. Risseeuw has travelled to landmine-affected countries to meet landmine survivors, deminers and NGOs working in mine action. These travels have had a great impact on him as an artist.
“It has deepened my understanding of the problem and humanized it,” said Mr. Risseeuw. “By interviewing victims, deminers, and aid workers, I’ve gained a greater appreciation for both the personal and the global effects of wars and conflicts. Travel has made the world smaller and reinforced the connectedness of all inhabitants of the planet. I think these experiences have given my art more authenticity and when knowledge of the background of its making is communicated to viewers, they are more deeply moved by it,” he said.
The art itself is quite unique in its design and construction.
“It involves making handmade paper and printing landmine images, facts, and stories of survivors and victims on it,” said Mr. Risseeuw. “In hand papermaking, we can make paper from used cotton, linen, or silk clothing, as well as plant fibres and other sources of cellulose. I have collected articles of clothing from landmine victims (this means only a representative piece of clothing — not from the accident itself), fibrous plants from mine locations, and the currencies of nations that make or have made landmines. All of this is pulped and made into the paper for my art.”
Mr. Risseeuw has exhibited his landmine series around the world and enjoys the response the public has given it.
“It is the type of art that stays with a person long after they’ve seen it and the emotional and intellectual processes of absorbing it, and perhaps acting on it, take awhile. It’s definitely not intended to elicit the same kind of response as a beautiful landscape or portrait, or even a soup can.”
He is aware the landmine issue is no longer front-page news and that concerns him, given the gravity of the situation.
“I guess it takes someone like me to hold one idea for a bit longer and push it in front of people where they don’t expect it in order to get some small quiver of movement,” he said.
Mr. Risseeuw will be at the opening of the exhibition on Nov. 2.
Proceeds from print sales will go to a number of NGOs involved in mine action.
For more information, call Open Studio in Toronto at 416-504-8238.

